Sunday, February 22, 2015

0 Comments
Posted in Arrangement, Art, Business

A Newsletter of sorts....updates and other news....

Lots going on in my life these days, but wanted to make a brief update post to talk about some exciting upcoming things.

Lindsay Wagner's Advanced Acting Retreat 2015

My studio http://www.styluxstudio.com has been working on this for quite some time to make this happen.

I am very excited to share the news that Lindsay Wagner is coming to Victoria to work one-on-one with up to 14 Actors! We are also very fortunate to have Michelle Allen, an award-winning Casting Director, join us at the retreat. This runs for a week long in summer.

We have already sold a few seats and I suspect it's going to go fast. If you know of an actor that is interested in this, please point them to our website or visit Lindsay Wagner's Website: http://www.lindsaywagnerinternational.com/vancouver_acting_retreat

Sony A7s - The Nikon D700 reborn as a mirrorless camera...
I will be publishing a review on the Sony A7s and how it performs. I swapped one of my A7 classic bodies for it, and been using it to shoot video. But what I want to talk about is how it performs as a still camera. There's lots of great reports on it as a video camera, but it's also amazing as a still camera.

Sigma 50mm F/1.4 DG in Sony Alpha mount - The ultimate standard!

Also upcoming and paired with the Sony A7s is the Sigma 50 ART lens with the long awaited Alpha mount. Using it with the LA-EA4, I'll share my thoughts on that match up.

More YouTube Tutorials

Busy as I am, I am still trying to get more tutorials up on my YouTube channel. A little teaser of the next episode, "The pen, is mightier than the sword." 

Infographics

That time of year again where my students are busy preparing for their next installment of social media experimentation and showcasing their Infographic work. I'll post the information on their site and great work.

That's it for now, but stay tuned for updates and more info.

Sunday, February 15, 2015

0 Comments
Posted in Arrangement, Art, Business

The Grass Can Be Greener...

Up to episode 8!



These tutorial videos, I'll admit, are hard work. But they are pretty fun to put together as well.

More are coming and a whole learner series is in the planning stages.

This episode demonstrates how to use the adjustment brush in Adobe Lightroom 5.7.1 to make quick and simple corrections for dead or yellow grass.





Tuesday, February 10, 2015

0 Comments
Posted in Arrangement, Art, Business

Revisiting the question of RAW vs JPG - Sony A7 mark II

Figure 1: Original Images
I get this question often in classrooms, emails, and workshops. I usually respond with a simple analogy from the days of film, comparing RAW to a film negative, and JPG to a Polaroid print. It's something I've said for a the past 6 years, but it might need some revisiting.

Now there is no real comparing a 14-16 bit RAW file to an 8 bit JPG file in terms of information. There is no question that the gamut of colour between those two file types will always be quite different. But much of that is academic to the untrained eye, which begs the question of whether or not the two files warrant much debate.

Digital files have certainly come a long way in the past 6 or 7 years. The shadow noise performance of modern digital cameras pretty much now yield near smooth and noiseless images. The Sony A7 series of cameras have been the talk of the photographic community for the past year and it produces some amazing images from compressing the shadow and highlight information. I'll say after performing this test, I am very amazed by what the camera puts out, but also what it does for JPG images. The need for HDR software is certainly put into question, when it appears that the tonal range from 100% black to 100% white produces such favourable results from this camera.

Figure 2: Highlight Compression
Regardless of the tonal range, the shadow noise, and the gamut difference, how much does it matter to the layman. In figure 2, I've compressed both the ARW and the JPG images highlight ranges, with a snap shot to show the histogram. Both histograms look pretty close to each other but there are slight difference that I know from experience that shows the difference in gamut. This image was taken with the Sony A7 Mark II with both RAW and JPG files written simultaneously. The DRO has been turned off and any noise reduction settings (specifically for the purposes of this test. I recommend keeping DRO on and to turn on your noise reduction settings if you use JPG. The camera does a much better job to control those situations, but in this experiment, I wanted to have as much of an untouched/unprocessed file). To preserve highlights during the shot, I carefully monitored the histogram, and adjusted the exposure to ensure there is no highlight clipping (I recommend using the EV dial to underexpose high contrast images if you don't trust your meter). The resulting image in figure 1 appears underexposed, but shadow recovery can compensate for that.

Figure 3a: Shadow Compression
Figure 3a shows shadow compression only, and once again we look at the histogram to see any major changes. The JPG does show some minor fall off at the extremes, however looking at the images between the JPG and the ARW, the differences appear pretty minor.

Figure 3b: Shadow Compression Detailed View
In the detailed view (figure 3b) there is very little shadow noise to be concerned about considering that the shadow was compressed by +2 EV.  There is some detail loss that you can see in the form of JPG artifacts, but it is both a result of compression and in camera processing. Turning up the sharpness in the in camera profile certainly should compensate for that (something you'd normally have to do in post with RAW files).

Figure 4: Tone Mapped (Note the slight colour shift that has to be corrected afterwards)
In the Figure 4 example, I've combined both shadow and highlight compression. Both histograms show subtle differences, but both the shadow and highlights are now compressed to simultaneously show both extremes. Again, much of the image differences are subjective, and in some ways the micro contrast of the JPG might be even slightly better but all things treated fairly, looking at the histogram at this point I'm observing the differences between 8 bit files and 16 bit files. But at the end of the day does it really matter much? One thing that needed to be adjusted was White Balance, and because JPG files cook the colours in, this was much harder to adjust between the two files (however as in the figure 4, the RAW file went magenta but was easily corrected). RAW was easier to match to the JPG file because there is more colour information. This means while using JPG, you need to make sure your white balance is set properly ahead of time.

So upon revisiting this popular question about RAW vs JPG, what conclusions should I make? One could argue that with media being as cheap as it is, you should always shoot the highest quality setting and convert or downsample later. On the other hand, why put yourself through unnecessary processing if you're confident in your shooting, and your images are always properly exposed? Let the camera do the processing, and just enjoy a beautifully processed JPG image (and thousands compared to hundreds on a media card)

Even with the 8 bit JPG files, I was able to push it at least 4 stops, which in the past was lucky to get 1.5 stops. I also did some more tests where I pushed it 6 additional stops overall, giving a very healthy margin of 12-14 stops as reported by other sites.

Although the low overall gamut of the JPG image may present some banding issues with certain images and certain colours, it doesn't mean that it should be totally disregarded as the ugly step child in your camera. Based on this simple test, it isn't as clear as it was 6-7 years ago about the differences between the two formats. I might have to change my analogy to something a little better suited to today's generation and a little more accurate. RAW is like the graphics of the Sony Playstation 3 compared to JPG images as if it were on the Sony Playstation 2.

The real question for many is should they shoot in RAW or should they shoot in JPG. My answer to that is yes!

For the most part it is pretty inconsequential. I use both when the occasion calls for it, and when I do need to shoot thousands of images (most of the running events I shoot are all in JPG and usually I shoot 4000-5000 images per event). I find that if the situations is controlled and I have time to set things ahead of time, I shoot JPG. But if I'm uncertain of changing light or going to be changing settings a lot, I still trust in RAW files. This test proves to me that I can trust in both formats regardless of my personal preference, and probably should be less about RAW vs JPG in the future, and more about how to shoot both to maximize the most potential from it.

Post Script: One comment I received are other important factors of why to shoot raw which in terms of problematic files that are harder to correct in JPG images are colour balance, post sharpening, and noise control (especially in higher ISO images). RAW files offer much more flexibility in terms of this. But this article isn't to suggest that RAW is a crutch, but there is no doubt more information is always better. I would never do shadow and highlight recovery to a JPG image like I have done here, but this article merely demonstrates what flexibility is still within the JPG file without resorting to a RAW file. JPG does require accurate and proper settings to maximize the file, which means that if something does go wrong, you can always rely on RAW files. Like many other cameras, having the ability to shoot both RAW+JPG is actually a good compromise to the question. If you choose to save yourself a bunch of work, you can just use the JPG files.

RAW or JPG? It doesn't really matter because they both look the same.